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Dec. 4th, 2018 02:07 pm
xihe: three legged crow (Default)
Man, I guess I'm going to have to fork over cash to actually private my en-masse fic posts and turn this into a proper public journal, haha.

Hello, everyone! This is @pigeonfancier on Tumblr, who may or may not be shifting over to DW entirely if fandom migrates. This would both be nostalgic and kind of satisfying, given I had LJ ripped from my grimy hands and was forcibly introduced to tumblr in the first place - in the end, we all return to our birthplace to drown like salmon, right?

Totally sure that's how it goes. Like, biologically?

Quick ABOUT ME, in the name of disclosure:
  • I am 26 years old, and a thoroughly droll homebody. Ask me about my life and you're going to get home improvement or cooking stories. Sorry not sorry!
  • All of my words can be read with a perpetual uptalk, despite growing up in the Midwest. I talk constantly, probably because I was raised in the Midwest, and I will chatter about.. almost anything, honestly. It's a curse.
  • I roleplay! I roleplay a whole lot, and kvetch thoroughly about it on semi-regular occasions.
  • I mostly write HOMESTUCK SHIT, based on fantrolls, or the occasional forays into STEVEN UNIVERSE. I adore comic books as a medium, and I'm a Marvel stan from cradle to crypt, with a special love for the X-Men and the mutants corner of the universe.
  • I have a lot of original fiction that I've sat on for lack of place to post it, so I might start posting chapters of my serial stories here. My main project is GAMES OF DIVINITY, an alt-history where magic is real, the colonisation of the America's failed, and people from across the worlds compete for possession of shards, crystalised magic that, when ingested, work kind of like magical crack, if magical crack involved gradually seeding your soul with contamination from ancient gods. It's.. arguably fun!
I'm adding all of my dashboard folks to this blog, so I can keep a reading list roughly equivalent to my old one, in case people do switch. We'll see how it goes.

Dishes!

Dec. 19th, 2018 06:05 pm
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I love estate sales, and I have an uncanny and (un)fortunate ability to find great deals at them. So I found a 58 set of dishes for $35, and the woman who was running it threw in a set of glass bowls and pewter platters along with it.

Do I need more dishes? No. Do I absolutely love hoarding them and being able to cycle them in and out of rotation based on the seasons, my current mood, and the phase of the moon? Abso-fucking-lutely.






Some examples. There's three varieties of plate, three sizes of bowls, a frankly obscene amount of teacups, three pictures, a gravy pourer, a butter tray, and then all the glassware/metal shit on top of it, so I'll totally be set for next year's Christmas.

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College was a dream for me, because I do well with structure, set dead-lines, and routines. I am not very good at coordinating myself, when push comes to shove. Oh, I can do large projects, especially when it comes to art, and it's easy enough to puzzle out how to operate within guidelines - if this needs to be done by now, I just need to attribute this many hours to do it a day, etc, etc.

I'm not really good at setting those guidelines myself. It is a constant, difficult work in figuring out how! Luckily, I'm pretty well-motivated by social shame and my spirit of unnecessary competitiveness, so in that light, I might start posting up lists of shit to get done each week, just to ensure they're done.
  • TUESDAY:
    • Find volunteer organisations, because god, gotta fill in this resume gap somehow.
    • Fix dispute on CreditKarma.
    • Answer DW comments.
    • Answer emails.
    • Head to bank!
  • WEDNESDAY:
    • Donate my trunk full of shit to GoodWill.
    • Empty out the garage! FILL THAT TRUNK BACK UP. |D
    • Clean up the basement.
    • Write worldbuilding over-view of Archipelagoverse and Games of Divinity, for my own use.
    • Meta-post on the Problem of Riccin(tm), or why bad RP choices sometimes make characters unenjoyable, and how to fix that. Oops!
  • THURSDAY:
    • Redo the laundry room, because oh god, laundry.
    • Redo my bedroom.
    • Wash + clean car.
    • Compile threadlist for RP.
  • FRIDAY:
    • 3k of the swainboat story for Archipelagoverse. This should be 5k max, I think.
    • Try to get at least the first 3k of the GoD Yui story out. This might end up a 6k, or it might end up 3k - I'm. Honestly not sure! I refuse to let it be some 10k monstrosity, though, it only needs five scenes to hang well together?
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Back in 2010 or so, when I first started college, I had what would be the first sign of what would become the Fainting Waif Disease(tm). It started off as being unable to handle 90% of food, and it ended up with me eventually sleeping 10-15 hours most days in 2014, because the only solution I could figure out to my chronic food problems that involved actually maintaining weight was sleeping any and all symptoms the fuck away.

Eight years later, it's mostly under control. I take my incredibly over-priced pancreatic enzymes, which lets my body actually recognise the food I'm putting in as food, instead of foreign rock invaders. I avoid everything soy, everything avocado / banana / latex fruit-related (except apples, because you have to take risks somewhere), milk, anything with high lactose, anddd most meat. And subsequently: it's been a few months since I last fucking fainted, which is absolutely lovely!

I still get sick if I forget to take enzymes, or just from fucking butter, which is an unfortunate staple to most of my recipes. But it's mostly managable now.


It also means home-making almost every single dish I eat, though, which's proven a fucking moral disaster when I go out. I just want chips sometimes, haha. I've been making it work, though! Slowly. Begrudgingly, while feeling like a batshit vegetarian, but it's something.

No pictures, because I loathe taking them of anything, ever, but meals the past few days:
  • potatoes rolled in paprika+lime+ginger+flour, fried in peanut oil, with misc veggies
  • smoked gouda macaroni and cheese
  • spinach + roasted brussel sprouts + red potatoes + sprouts, with a dijon mustard vinagrette
  • pinto bean tacos, stuffed inside of green pepper shells
  • herb roasted apples + onions + carrots, served next to celery egg salad
  • butternut squash tomato soup + gouda grilled cheeses w/ sofrito
  • baked ziti (just - no)
  • an amount of stuffing that, in hindsight, was frankly absurd
  • endless nights of ricotta ravioli with basil pesto + diced tomatoes
Some of these have turned out absolutely horrible, haha. I've been trying to balance out "things I can safely eat" with "things that are not vile", which is unfortunately somewhat limited when I don't.. actually know what most things taste like! This is making me realise that my vegetable diet was largely "brussel sprouts / broccoli, corn, peas, carrots, cabbage, pumpkin and naught else", which is still heavily represented in the things I have up there.

But, y'know, it's a process. I have a huge chunk of celery in the fridge I still have to puzzle out how to use, and I've been trying to figure out how you use squash, so. x) If anyone has recommendations for vegetarian recipes, or your favourite vegetables, please feel free to share in the comments! As is, tonight, I guess I'm going to figure out how you use arugula, which should be an exciting process.
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Might as well get into the habit of cross-posting, so a meme from pillowfort:

> What's a blanket box?

A blanket box is a set of prompts to help you to build your Pillowfort! They all have a theme and this one's theme is fandoms! To reply to the questions, create your own post (or several posts). Other blanket boxes are here

> The Rules

  • The first rule is that there are no rules.
  • Interpret or bend the prompts however you like.

> The Blankets

1. What was your first fandom?

Neopets, arguably. I got on the internet at six years old, and I promptly fell onto the Neopets boards when my mum made me an account at probably.. eight, I think? The site was still brand-new, and cutesy enough that she signed my permission slip (which you had to fax in, lmfao) to be on the messageboards, where I started roleplaying.

From there, I ended up on Furcadia, and in the Lion King fandom, in very rapid succession. x) So, honestly, you could just say "furries" was my first fandom period? I'm not very into them now, but I still hold some nostalgia, on account of literally having grown up in it. (With that said: absolutely do not advocate children hanging out in that hellhole. Haha god no.)

2. Your latest?

I really don't do fandoms that often! The older I get, the less inclined I am to actually get involved in fannish spaces, which is a fascinating part of growing up for me: I love my fandoms, I love my nerd shit, but I'm more than content to eye up the general vibe of a community, shrug, and decide I'd rather do my own thing.

Arguably, I'm in Steven Universe fandom? I write fic for it, at least. I do not read other people's fic or reblog their fanart, because it's less "social" for me, and more "I am producing the content I want to see, and others content is not what I want to see".

More realistically: Homestuck! I'm knee-deep in Homestuck fandom and will likely be until all of my RP partners move on, haha. I love it, I love the setting, I am fond of getting pissy about Friendsim, and I like the people I associate with, and the content they produce. That's very fandom-y to me.

3. What's your favorite part of fandom?

Seeing what other people make, when I'm actually interested in the universe and the content!

I'm basically only in fandom because I enjoy seeing other people's takes on the material - I'm not interested in shipping, I'm not interested in canon AUs, I want to see how people extrapolate on the setting, the characters, and the overall designs. "What if Zevran was the bastard prince of Fereldan?", if it digs deep into the social structure of DAO, tells me about how he slots in, extrapolates on the biology of elves and humans, explains the social mores and taboos of being an elfblood - that's great, I'll read all 500k of it and then write my own take.

"What if Zevran was the bastard prince of Fereldan?" that keeps Zevran the exact same, except with a dramatic reveal added and doesn't use this as an opportunity for worldbuilding - I'm outies. x)

My favorite part of fandom, tl;dr, is basically seeing how people take the exact same ball of clay, and then how they make it theirs, whether it's part of the setting, a character, the story, whatever else. I love retellings and extrapolations and the way that an author or artist's individual experiences shape the narratives they want to see, and I love being able to engage with those things, because the give and take of discussing someone's creation with them is always a fucking delight to me.
 

 

Read more... )
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PHERES DYSSEU | 16 YEARS OLD / ~7 SWEEPS | 1,401 WORDS


Raphae’s hive is all done up in blues and pinks, cloying enough that it looks like it stepped straight out of a magazine. There’s dancing bears on the walls, and carved into the furniture, and decorating the couch. There’s stuffed birds with their glistening black eyes and tiny beaks everywhere. When Chapar reaches out for Iphige’s lusus, you don’t have time to warn him.

Turtleduckdad pulls his neck all the way into his feathers with a warning hiss, eyes snapping open, and Chapar drops him with a yelp.

“I’m so sorry,” you murmur, gently shooing the duck away. Chapar just folds his arms, tucking his hands into his sleeves.

“Wow. This apartment is definitely, like -” He exhales slowly as he looks around, but you can’t quite bring yourself to try and see it like he does. Maybe the first time you’d walked in, you’d been impressed. The only hive you’d ever seen back then was the Birdhouse, crowded wall from wall with trolls who’d never left and never would, and from the detritus of those long gone. Back then, it’d been breathtaking.

But now.. it’s been too many sweeps since the first time Sipara hauled you in. You’ve had too many customers since then, from cerulean to indigo, to even a violet, once, and next to all of that -

Raphae’s hive does look like it’s from a magazine. Unfortunately, it’s just not the priciest one on the rack, and when push comes to shove, there’s only so impressed you can be with any apartment that features a crying bear as the entryway’s centerpiece.

Chapar, though.. he’s never gone on deliveries like you! He’s never truly had a clade with the amount of wealth you’re used to. The closest he’s ever had to a clade is Malaya’s troupe, and when he’s fawned over Malaya’s apartment every time the two of you’d spent the day there, you’ve never been able to quite bring yourself to pointing out exactly how little a navy’s stipend can truly pay for. It was all very impressive, from the carpets to the television, and Malaya had expected the both of you to be impressed.

It’s just.. well. It’s hard to be impressed by a television, after you’ve been inside homes with proper theaters.

“It’s nice, isn’t it?” you say lightly, bouncing up on your toes. There’s an empty teacup on the nearest endtable, one of the ones that weeps rainbows from the mouth. You gently spin it around before Chapar can see, then drift towards the piano room, because - well, there’s no reason, really, except that the way his breath catches at the sight of it is uniquely gratifying. It’s real wood, with the sort of imperfections that come from being cohorts old. The one in Malaya’s house had been teak. "Ah, I want to show you the kitchens!“

"Don’t you mean the kitchen?” he says, faint.

“Ah - no. I hate to brag, but..” Chapar’s looking at you like he’s daring you to finish. You titter, hand flitting in front of your mouth, but it doesn’t quite hide your sheepish grin. His eyes widen.

“Would you believe,” you murmur, apologetic, while he just stares, “we’ve got three?”

He stays tight on your heels as you lead him through the front hall, and - perhaps you shouldn’t feel so smug about the way he’s just growing more and more skittish with every step. After all, this isn’t your hive, ultimately. This isn’t your home, in any sense of the word. You’ve always been on the very outskirts of the clade, just like you hover on the outskirts of Malaya’s, and while Sipara belongs here, you’re just her moirail. You’ve always slept in her recuperacoon, and you’ve always considered yourself lucky for it.

But - no, it’s not really like Malaya’s clade, is it? You’re not properly a part of that at all, for all that the two of you are practically matesprits. No, here, at least, you’ve got a key, and you’ve got a quadrant who lives here, one who’s willing to wear your colour and use your name. And Raphae’s said over and over that you’re free to stay around as much as you’d like. He adores you, the way clade’s supposed to, and Iphige tolerates you, and if Iconic brightens at the sight of you, for all the wrong reasons -

- well! Iconic’s supposed to be out tonight, which is why you dropped by. The rest of the trolls here are your clademates, and that means you belong here, even if it isn’t yours. If Sipara was here, she’d expect you to show it off, really.

And she should be here. Iconic’s out, but she didn’t have anything scheduled. You can hear clanking from the nearest doorway. You start to lift a hand, but when you glance back, it’s unnecessary: Chapar’s stopped by a telephone, his hands locked behind him like he’s afraid of breaking it.  “Sipa,” you call out, “are you here?”

There’s a clattering. Sure enough, Sipara flounces out from behind the doorframe of the kitchen, covered in flour.

A moment later, like a ghost, Iconic trails out after her, an arm slung loosely around her shoulders. He’s in the air - when isn’t he in the air, these nights? - and he’s making her tow him like a boat behind. “Siparaja,” he complains, and although his eyes narrow when he sees you, his voice doesn’t slow. “You’re going to tug my arms off, ashmite, and then where’ll we be? And the butter’s going to scald!”

But she’s not paying any attention to that. She’s looking at you, and then she’s peering past you, all the way back at Chapar.

Her eyes lock onto his symbol, but you can practically see her running the numbers in her head. The next smile she flashes is as bright and sunny as any she’d aim at you. “Pheres!” she shrieks, giving Iconic a shove as she shrugs him off forcibly. Her eyes are still fixed on Chapar, and - oh! If it’d been Malaya, you’d never have risked this. But you know how Sipara works.

You know she’ll take anything over a blueblood, even if it’s an olive with more blue hanging from his ears than skin.

And sure enough, she doesn’t so much as direct a snarl his way. Sipara gets right intp Chapar’s face, bumping her nose against his as he flinches back. “Hi!” Then she pivots to fling herself into your arms, full-bodied. When you stumble, she just wraps her arms around you, burying her face in your hair like it’s been perigees, not one week. “Pheres, tyrian tits, I missed youuu. Who’s this? The fuck, you didn’t say you were coming - you didn’t say you were bringing anyone –”

“Sipara,” you say, muffled. She’s butting her head against your chin like a cat, and you’re having to avoid curls in your mouth with every word. Perhaps you’d be better off if you just accepted them, because ID looks like he’s ready to cull you right here. “Hello! Ah - this is Chapar! I’ve told you all about him -”

“Hi,” Chapar squeaks, his ears pinned, and for a moment, you think Sipara’s going to say something. Her nose wrinkles like she just might.

You’re not expecting Iconic to beat her to it. “You’re bringing home strays now? My goodness gracious, Dysseu.” How much condescension can one troll fit into his words? Your face’s warming as he takes in Chapar, eyes dragging up and down him like he’s trying to judge. “I just didn’t know we were a gosh darn hostel -”

You open your mouth.

“Oh my god, ID, shut up,” Sipara snaps over her shoulder instead, before you can get the words out, and in the sudden silence, you could hear a pin drop. She doesn’t seem to notice, though. She just grins at you, toothy and eager, and twines her arm through yours as she tugs you towards the nearest kitchen. “C'monnn. We made honeypots! You should try ‘em. D'you like honeypots, dude? 'cause, like, spoiler alert, I’m the best cook for 'em in the entire fucking city –”

Beside you, Chapar’s brows are knit, but he’s trying to match her grin, nervous though he is. But when you beam, you’re not watching Sipara. No, your gaze is locked on Iconic.

He does not smile back.

xihe: three legged crow (Default)

 

1. What are psionics?

Psionics are the physical manifestation of one’s will over natural laws. Physiological differences make these more prominent in warmblooded individuals: while the majority of abilities come from specialized forms of telekinesis, over the millenia, the higher rate of reproduction means that the vast majority of warm bloodlines have adapted biologically to support these abilities with greater ease…

2. What are psychics?

Psychics are the mental exertion of one’s will over another. Due to the presence of receptors located in the Wallac organ, all trolls are capable of receiving basic psychic signals, save in cases of burn-out. The lower temperatures of higher caste trolls stunts the growth of the Wallac organ, while encouraging the growth of the Johnston, with the disparity growing larger with each drop in temperature – the consequence of this is the higher propensity towards psychic immunity increases significantly as one goes up in the hemospectrum, while psychic abilities typically stall at indigo.

- PARANORMAL ABILITIES: EXPLAINED, CHAPTER FIVE: THE ORIGIN OF POWER

PAGE ONE OF THE IMPERIAL EDUCATION PROGRAM BROCHURE:

PSIONICS AND YOU

Of the global population of trolls, only 30% possess any form of paranormal abilities – a term hence forth used to refer to abilities beyond the norm established in one’s caste. These abilities are generally classified as either psionics, the manipulation of reality, or as psychic, the manipulation of minds. Psionic abilities most frequently appear amongst lowbloods, and can affect every member of society: however, psychic abilities are largely restricted to highbloods, and significantly decrease in effect the higher one’s caste rises.

IMPORTANT FACTS: Maroonbloods are easily led by a skilled psychic, but a violet’s thinkpan requires finesse and raw strength for the psychic to produce the slightest effect!

The fact that psionic abiltiies are more common, and more universally effective, than psychic abilities may lead a troll to question how this does not lead to an unusual, unfair advantage among the lower populations. After all, psionic abilities are far more varied than even the most unorthodox of psychics: while there are only six recognized schools of psychic derivation, there are over ten known for psionics, and numerous splits within these fields. While the same TRIDENT amplifier may be used among a variety of gunners, psionics have such variation in both their abilities and the manifestation of these abilities that technology is often required to be custom-built to fit them.

So why do lowbloods not use this unfair advantage over their superiors?

The answer to this lies in the inherent frailty of lowbloods, and the risk that is unique to them:

Burn-out.

Highblood bloodlines evolve slowly, and when changes occur in them, there is plenty of time for the slurry to build up defenses. A Selcis born in the fourteenth dynasty’s ability of mind control may differ from their descendant in the two hundredth dynasty’s bodily possession. However, mutations in blueblood bloodlines is rare, and when they do occur, tend to be the result of a thousand minor edits over the course of generations by the time the new attribute appears. The vast amount of time and the weight of colder blood allows the descendant’s genome to have prepared for these changes.

Lowblood reproductive turnover, however, is high, and the warmth of the blood encourages mutations to a much higher extent than highbloods. Maroonbloods can produce a descendant as quickly as twenty years after their first genetic contribution! In addition to this, while highblood psychics have only ever manifested a handful of abilities, lowblood bloodlines encompass the full range. The constant evolution of psionic abilities, the fast rate of contribution, and the strain of their psionics on already weak bodies results in warmer thinkpans being inherently inefficient.

And while psychic brains are optimized towards using their abilities, devleopment of the psionic channels necessary for using their abilities can vary significantly even between individuals of the same bloodline. The natural stress of using one’s abilities in a pan ill-suited for them can lead to ruptures, seizures, collapses and more, all of which are colloquially referred to as ‘burnout’.

Ø CAN LOWBLOODS BE PSYCHICS?

While sub-olive castes are primarily psionics, with psychic abilities manifesting in jades and above, sometimes a rare, unusual lowblood can end up with psychic abilities! Lowblood thinkpans are inherently different from highbloods, however, and this shows in the way that their psychic tendencies manifest: while most borwnblooded psychics are capable of controlling beasts, it is relatively rare that one has the strength to ever influence their kin, or other weak-minded trolls.

Midblooded psychics are more common. The manifestation of paranormal abilities amongst the jade caste only appears in cusps, and do not appear among true jades; additionally, they only possess psychics, and psionics are typically a sign of other, external mutations. While stronger than the lower castes, these are rarely on par with cerulean’s. Midbloods get the worst of both worlds, in that their abilities are weaker while still maintaining the tendency towards burnout, and medicullers advise they simply choose not to use those abilities, for their own safety.

Ø CAN A TROLL POSSESS BOTH PSYCHIC AND PSIONIC ABILITIES?

Although rare, this phenomena is known as the DIOSCURI SYNDROME, named after a famous oliveblooded construct wielder and mind-controller from the fourth False Empress’s reign. Most commonly found amongst lowbloods, the Dioscuri is one of the few permitted mutations for the use it offers to the Empire. Those with Dioscuri syndrome are identifiable primarily by their doubled horns, which grant them a significantly higher-than-average rate of power – something noteworthy, given they primarily occur in the yellow-green spectrum, already known for the highest known average for psionic output.

Those who possess this mutation are often encouraged to donate young, as the larger amount of psi causes a higher risk of burn-out, a larger propensity towards voidrot, and a significant gap in control as compared to their peers. While Dioscuri Syndrome is considered an ideal mutation, and trolls possessing it are frequently exempt from usual standards, this is partially because those with it rarely live to serve the Empire along. They burn bright – and then, inevitably, they burn out.


PAGE FIVE OF THE IMPERIAL EDUCATION PROGRAM BROCHURE:

IMPERIAL TECHNOLOGY: GUNNERS

When one thinks of psionic technology, the first thing that comes to mind are helmcolumns. After all, helming is the foundation upon which the Empire is built, and they are the best that our Empire has to offer in terms of harnessing the raw potential of a psionic. The deep integration offered by a proper column keeps the helm healthy, safe and protected against not only the risk of burn-out, but all of the danger in the ship. Biowire properties naturally dispel bacteria and viruses alike, keeping the ports of the helm clean and all of their interior functions running without the need for external maintenance, and the cushioning of the helmscolumn means that most helms are, on a sweep-by-sweep basis, prone to significantly less injury, distress or wear than the average troll on the front-lines.

But helmcolumns, while vital and important to our Empire, are hardly the only form of technology!

The Imperial Education Program is unique among the programs for its novel approach to technology. While other programs, such as the Psionic Corps and the Psihounds, rely on mechanical ports that require direct integration into their soldiers bodies – a process that requires antibiotics, surgeries and downtime for the participants – the IEP almost exclusively uses wetware for all of its technology. Made directly from the receptient’s cells to prevent rejection, the technology can integrate into the nervous system much in the same way that a parasite does. There is no need for long wait times, or the risks of surgery! Installation for many students can be as easy as swallowing a pill, or inserting an egg into the spine and allowing nature to do the rest.

PORT TECHNOLOGY:

HELMS COLUMNS:

TRIDENT HARNESS:

MANDIBLES are one of the programs




xihe: three legged crow (Default)
Old and disjointed. No idea what baby Mar was up to, tbh.
Read more... )
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DUST ‘EM OFF (PUT 'EM BACK UP ON THE SHELF)

6TH PERIGEE OF THE 760TH SWEEP
ICONIC CONETL: 10 SWEEPS / 21 YEARS OLD

six months prior to the detonation of the pidgin parlor

(14,181 words)

When you flee, there’s only one place that nobody would ever expect you to go.

You’ve rarely spent a lot of time in your hivestem, the past few sweeps. Why bother, when Raphae’s is so undeniably better? Your matesprit has got drones to clean it, heat running through the floors, and the sort of kitchen that’s large enough to keep three half-grown psionics fed through all of your molts. He’s got an entire floor to himself, with ceilings high enough that you can light into the air without even scraping your horns. The doorways are all large enough to fit your lusus through them, and there’s a private lift, straight from the lobby. It’s better, in every way, and after nearly four sweeps living there, it’s more your hive than his.

It’s your cozies strewn across the sofas. Your plushies are the ones nestled onto the beds, your porcelain kittens are on the coffee table, and it’s your ashtrays that cover every available surface. It’s your auspistice who sleeps in the spare room, and your moirail that sleeps in the enclade suite. Oh, Raphae has the master bedroom, but aside from his makeup cabinet and his gun cabinet, what in there’s actually his? It’s your colour that stains the walls, yellow so pale that it’s courting white.  The signs of Raphae’s touch rest like stains in the room: the drape of the black-out curtains over the windows, the purple hemming the bottom of each wall, and the faint smell of cat, clinging to every surface.

Everything always smells like cat, for a fellow who liked to keep his lusus outdoors.

Oh, Sipara lives there. So does Iphige, when she bothers to be around! But she’s hanging off of Shepherd’s arm more often than not, and Sipara knows who’s hive it is. Everyone does, by this point, and they keep their things to the backstage accordingly.

Except it’s not yours. And everything there is red.

This hivestem - nestled four blocks from the gate of the Kinnor campus, thin-walled and packed with enough lowbloods you can hear your neighbours breathing one block over - this is your hive, and it’s strange to walk back in, and realise exactly how much you’ve forgotten.

Raphae’s penthive looks like your home. This hivestem block looks like the memory of a home, maybe, at the very best! It looks like a snapshot of you back at seven sweeps, back when you’d thought painting the walls chalkboard black was the most brilliant idea you’d ever come across. You’d spent an night, and most of the day, painting all the walls. And then you’d spent what felt like half your stipend to decorate it in neon swirls and decorations.

There’s lists up on the walls, from the last day you’d been there. There’s ballet slippers on the counter - old, tattered, with yellow still dried on the tips. There’s a mug with the rim still entombed in sugar, and a dinosaur on the front, and a half-smoked pack of cigarettes next to it. Everything’s left just like you’d abandoned it, even down to the hoodie you’d tossed onto the floor.

You’d meant to wash it later! But you never quite got around to it. You’d never managed to sweep up the feathers on the floor, either, or fix the dent your lusus had left on the counter, or come back for your charger. The entire room, when you turn, feels like a list of things you’d left undone, that last night - but that was you, at age seven. Everything’d always felt a little undone.

You’d liked it that way, mostly.

When you breathe in, the air smells like dust, and birds, and there’s no traces of cats at all. The only colours here are your own pale yellow, and the sort of white on the stonework that comes from decades of sun exposure. It might be old, but it’s yours, from tip to bottom.

Almost. There is a glass on the counter. It’s shaped like a bear, round earred and soft-eyed, with the streaky yellow colour that comes from hand-painting. When you pick it up, the message’s still right there, just like you remember, back when you’d barely known your moirail’s kismesis as more than a name on a website:

ʕ(づ- ᴥ -)ʔづ

beary nice to meet you!

And he’d scribbled his name, raphae irrigo, in a wriggler’s heartfelt cursive across the bottom.

You bounce the mug in your hand, thoughtful, testing the weight of it, and then you hurl it hard against the wall.

A moment later, someone knocks on the door, crisp and loud as a gunshot in the freshly broken silence.

Read more... )
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 CHOKING ON YOUR ALIBIS

SIPARA NZINGA & PHERES DYSSEU | eight sweeps

“My  back hurts,” he complains one day. He’s built a nest of blankets and  covers, and is now sprawled across Sipara’s concuscpecient couch while  she works on the floor next to it, husktop in her lap. He’s supposed to  be sleeping, but.

She isn’t paying attention. He reaches out and tugs on a curl. “Sipa~,” he whines.

She  turns her head, and he yanks his fingers away just before her teeth   clamp down. Sipara is the worst. “Take off the shirt, then,” she says   irritably. “Iunno why you even got it on still, jfc. I promise I won’t   cull you.”

Pheres huffs. “Like you could!” Still, she has a   point. His undershirt is hardly tight enough to be actively detrimental to his health, but… it’d be very nice to take it off. Let his skin   breathe.

He hooks his thumbs into the bottom, and pulls.


> VITILIGO

The shirt comes off easily enough. The shirts for hiding, not compression.

The  skin underneath is mottled with colour: not just the uniform dusky gray  of his hands and face, but lighter shades of pinkish red, where the  pigment has worn away, and rose gray where it’s in the process. Looking  at it makes his skin itch, and his hands curl.

It’s spread, since the last time he checked.

He wants to scratch it off, dig his claws in and rip until it all looks uniform under the rosewood of his blood. He used to do that as a grub, when the first translucent spot appeared: pick and dig and scratch, because the dark weal of scar tissue is ugly, but the piebald marks will get him culled.

He places a hand on his side, and Sipara clears her throat.

“Nice spots, dude,” she jeers, and he drops the shirt on her head instead. 


> SPHERES

The shirt is a struggle to get off.

The  bottom wants to roll, for one, and the top wants to cling. Every time he  tugs one way, the fabric wants to go the other, and when he finally  gets it over his head, it’s to be greeted by the sound of fabric  ripping.

“You broke the strap,” Sipara says, ever helpful.

He  makes a face at her. It’s nice to be uncompressed, and he takes a deep  breath, just for the novelty of it. After days in the undershirt, it almost hurts, but the feeling of his lungs expanding and detracting, unrestricted, is more than worth it.

The way that his spheres shake with the motion is a little disconcerting, though.

Pheres flops back down on the bed, and he’s promptly reminded why he wears the undershirt: he has to shift positions and figure out a new way to lay, because it seems like his rumblespheres are constantly in the way. Getting resettled takes a moment.

He’ll have to figure out a way to fix the strap before he leaves Sipara’s hive. He already has enough trouble with his horns: he doesn’t need a third rack always getting in the way, too. 


> SCARS

He pulls the shirt over his horns, balls it up, and tosses it to the corner.

He  isn’t planning on looking down: the scars haven’t changed in sweeps, and he’s worked hard to keep it that way. But curiosity gets the best of him, as it always does. The little nicks from knives and claws across   his collar and chest, the rippled flesh where a blueblood stabbed him on  his breastbone, the bite from Rmeros’s lusus… there isn’t much skin left unmarked, and he can feel bile rising in his gorge as he looks at it.

(Each one is proof of some mistake, writ large on his flesh, and he hates it, but what he hates more is the impression it gives. His torso is a mottled weal of scar tissue and damage. It’s not the skin of a docile book-keeper: it’s the skin of some sort of thug.)

“Hey, dude, stop eyefucking yourself,” Sipara says, and when he looks up, she raises an eyebrow and sneers. “My dads got better scars than that shit.”

“Hell, I bet your dad has better scars than that shit, and he’s dead.”

He huffs, flings himself back down on the bed, and bundles himself in one of the blankets, until there’s no skin showing at all, just fabric. It helps, a little. “Oh, shut up.” 


> GILLS

He  outgrew this shirt two sweeps ago, and wrestling out of it is a chore.  When he finally gets it over a shoulder, it gets stuck to a horn: when  he wrests that free, it clings around his face like a eggshroud, and  Sipara has to get up and pull it free.

He was hoping to avoid her, but now that she’s up, there’s no point in objecting  as Sipara performs her usual survey. She runs her fingers along his sides,  prying gently at the closed operculum and peering at the maroon gills  underneath. For once, she’s careful of her claws.

“Deep breath,” she orders, and Pheres obliges, dragging  in air through his lungs and forcing it slowly out of his protesting  gills. He doesn’t look down as she works, but keeps his eyes focused on  the cracks in the ceiling.

(Mutants deserve to be culled. But  he’s not a mutant: just a cusp, Sipara says, like her, like Myrrha, like Rmeros  and every other member of their line.)

(Of course, none of them have gills, not even Rmeros. He checked.)

“You need to use these more. Like, shit’ll starts rotting if you don’t  -”

“Use  them where?” he asks, incredulous. “In the river? Shall I remind you   that the last time I tried that, we had to cull someone?”

She   paps him in the face, her claws little pinpricks of pain as they drag on the skin. “No, dumbass,”  she says, patient: “In my tub. Come on, I’ll get my husktop and you can  like, blow bubbles or whatever. You need to get some water through  those fuckers, ‘cause if they start crumbling off, I’m not cleaning it  up…" 


>NOTHING

He doesn’t get much farther then rolling the bottom of his shirt before he gives up.

Logically  speaking, cloth is no protection. There’s nothing the opaque shirt does  to benefit him: it won’t stop knives, claws,  or even sharp words. But  the constant pressure against his skin feels like it could,  and he finds the idea of stripping and leaving nothing between his  thoracic struts and the rest of the world thoroughly unappealing.

Even if he’s only lounging around with his moirail.

"No,” he says, flicking one of her oversized ears, “I think I’d rather just complain.” 
 


>AFTER

The room is silent save for the gentle bubble of water beside you. The transition always takes a minute, but once Pheres is in the water, he’s generally out like a light.

It wasn’t like this when you were kids, but you didn’t have a trap back then - just that salty ass river. Everyone knows that sea dwellers are made for salt, but Pheres isn’t exactly a sea dweller: he might be weird and cuspy, too close to the edge of the circle no one wants to admit exists, but he’s still a lowblood.

A lowblood with gills in his chest and psionics in his pan. Ugh.

Your husktop is in your lap, and the diagram for your latest apiculture rig is up, waiting to be simulated and test-run. But it’s hard to think when your freaky ass moirail is asleep next to you. Even in your washing block, with all the doors shut and locked, you still feel on edge, knowing that all it’d take is one person seeing to spell ruin.

You’d feel better if he was awake, wrapped up in his cloth and clothes, but he does need to let water through those things, so you suck it up and stew.

Times like this, when all of his freakish vulnerabilities are lying out in the open, you fucking hate having a moirail. You look at him and you just want to cut him open, so you can catalogue everything that’s wrong. How deep does his highblood contagion go, beyond the gills and blood? If you cut him open, will you find salt in his veins and tyrian on his pusher?

If you did, could you fix it?

You trace the place where you’d cut with a claw, pressing just hard enough to leave a dark line on the skin: a line and a swoop across the torsal cavity is all it’d take, to make the skin peel back and let you see what needs work. You’ve never dissected a seadweller, but you’re not crazy. You know you can’t just cut out the gills from his side, drain the blood from his veins and replace it all with something right - but sometimes, you’re tempted to try.

It’d be so easy. All you would have to do is ask, and Pheres would pass you the scalpel and say please.

Maybe he senses the way your pan is churning, because he stirs, head half-submerged in your ablution trap. His snouts slipped under the water, trailing bubbles with each push of his chest, and you can see the obscene red flash of his gills at work under his covers as he breathes. Pheres’s eyes open, slowly, eyelashes lit by the glow of his psionics, and you watch as he blinks at your hand.

“Stop that,” he rasps, voice heavy with sleep but still affectionate. “Don’t you have work to do, instead of -” He yawns, his mouth stretching wide and showing all of his blunt, blunt teeth, painfully bright against the muted red of his membranes. “- haah - fondling me like a deviant?

“Wow, gross!” You flick his nose, and then move your hand up, letting your nails work their way through the damp curls. “I was just thinking you need to like, eat some fucking food for once, that’s all. You could wash clothes on that shit.”

He murmurs something in response, but it’s sleepy as he sinks back into the tub, shifting his head so that you can get better access to his scalp. He’s already going back to sleep, and his voice’s broken the spell that’s brewing in your pan.

Pheres isn’t a fucking fish, and you’re not going to filet him like one. The only thing here that needs to be fixed is the apiculture rig lying on your husktop, and with that in mind, you turn your gaze firmly away from the mutant drowsing in your trap, and you get to work. 
xihe: three legged crow (Default)
      PHERES DYSSEU: 8 SWEEPS / ALMOST 19 YEARS OLD
SIPARA NZINGA: 8 SWEEPS / 18 YEARS OLD
 

“I love you,” you declare, and Sipara jostles, her ears pulling straight up like she’s been slapped. She stares at you, wide-eyed, a hand flitting towards her mouth.

Then she yelps: “- fuck off, I love you MORE.”

“You can’t,” you say, peaceful. “I said it first.”

“Well, I’m saying it better!” She puffs out her cheeks, flouncing off of her seat on the crate. Her heels thump as she begins to pace, the solid whack of keratin against wood. “I’m saying it, like, super better,” she adds, wrinkling her nose, and you laugh.

Her face is all circles, all fat: her weight fluctuates but it always stays round, round, round as the day you met her, sweeps and sweeps ago. “I love your face, and your nose, and yes, even those silly ears,” you tell her, and they flick back, just like that. Her eyes are big enough that you can see the gray specks in them, right at the edges, where the colour’s still mottled. “I love that you look like you’re six, for heaven’s sake. I love –”

“I don’t look like I’m six!”

“You look like you’re six and a day,” you give, and she squawks with outrage. Then she’s in your face in a flurry of curls, hands braced on your knees, her face inches from yours. When you lean back, she leans in. Her nose squashes against yours.

“I love you better,” she announces. “You’re dumb, and you’re extra, and you can’t even tie your shoelaces without, like, falling over.”

It’s your turn to squawk. “That is untrue –”

“Then do it!” she crows, right in your face, pulling back so you can see the waggle of her eyebrows. Then she’s grabbing your hand between both of hers and tugging. “Do it, do it, prove me wrong -”

“No!” You’re laughing, loud and bright, and so is she, as she tugs you onto your feet. “I am not!”

She huffs at you, but her shoulders slump, her ears relax. Her grip on your hand loosens, and just like that, you reach up, pap her on the cheek.

The first time you did this, she’d bit you on the wrist for your trouble. But that was sweeps and sweeps ago: now she nuzzles her face into the curve of your palm, presses her lips, fangless, against your wrist, pale as the moonlight above. Now she flings both arms around your shoulders and bounces up on her toes.

A kiss to both cheeks, a kiss to your forehead, a kiss to your mouth: each perfunctory, careful, with just enough force that you’re going to have to wipe lipstick off. “I love you,” she tells you, and it’s not a proclamation. It’s not a game: there’s a steady confidence to it, now, like she’s telling you the sky is blue, or the trees are pink. “I love you more than, like, anything I’ve ever, ever seen, ‘n more'n anyone I’ll ever, ever meet, and -”

Liyiji clears his throat.

“Please get a room,” he says, flat, peering down at the two of you from the front of the ship, his hands on the shipwheel. Riccin’s face is as orange as the sun, and they’re steadfastly staring at the moons, their mouth twisted like they’re trying not to smile. “I’m not into public piles. Sorry.”


xihe: three legged crow (Default)
 > IN THE FUTURE

> IN THE FAR, FAR FUTURE

Congratulations: after ten long sweeps, there’s finally blood on your hands.

Won’t Sipara be proud?

When you try to laugh, you choke on the sound.

The room is quiet except for your own ragged breathing. In the dark, againsnt the near-pitch of your skin, the blood on your hands looks mutant bright, the sort of swill you find in animals and the antagonists on pupa’s shows. The blood of a thing that deserves to be culled! But that’s just on shows. You have to be reasonable. This is still blue streaking your skin, and flaws like the saturation are just.. character traits, in bluebloods. Signs of nobility!

Quanin’s blood is nearly this bright.

The blaster in your hand slips, nearly clatters to the floor. You have to fumble to catch it, the slick plastic sliding against your hands, but you don’t dare to lose your grip. If you drop it –

The glance down is involuntary, then you’re jerking your chin up, squeezing your eyes shut. You suppose it doesn’t matter if you drop it. (She’s dead. Blueblood durability does not cure a hole in the head.) The blaster’s got blood on it. There’s blood on your lenses and your cheek, and when you try to wipe off your face, you just smear it. ‘Backwash,’ Sipara used to call this when she’d stumble out of the ring, covered in some unfortunate’s chrome and laughing from the pain of it.

You’ve seen people shot. You know how it works. Why didn’t you add some distance?

Why don’t you ever think things through?

“Holy shit,” Emerel says.

.. oh. That’s why.

He sidesteps the body on the floor. There’s still jade on his mouth where she hit him, but he licks it off of his lips absently. He can’t remove the jade on his face half as easily: even in the flickering, watery light of the room, the flushed green blemishes are already turning garish against his pale skin. Your gaze keeps drifting back to the mark on his face where her blaster’s handle struck. It’s still hard to believe that she hit him. Jades are vital to the empire, just as important and rare as any violet. People don’t hit them. People certainly don’t try to cull them for anything short of treason.

But right now, nothing makes sense. Not any of the past hour, not your own actions, not the way that Emerel’s looking at you, bright-eyed and startled. But at least he’s familiar.

Perhaps that’s why you don’t move when he closes the distance between you. You don’t even move when he reaches out, even though your heart is racing. If he’s going to take the blaster, then that’s fine. It’s not like he’s going to cull you! Emerel is your matesprit, and you just helped him: he’s not going to cull you for that, no matter what hue the legislacerator was.

No matter how hemoloyal he is. No matter how much this entire situation is unquestionably, undeniably your fault, because redroms don’t cull their partners: isn’t that what everyone says? Even knowing that, when he reaches out, you flinch all the same –

– but he just picks you up, hands sliding neatly under your arms, and pulls you in tight againsnt him. The blaster drops out of your fingers. Suddenly you’re clinging to him, burying your face into his neck. Everything feels brittle and awful and wrong, but he’s familiar. He’s safe. He’s yours, damn it, and even the faint reek of blood under his soaps and perfumes can’t ruin the way you relax into him.

(If he culls you, that’s fine. But he’s not going to.)

“Holy shit, Pheres,” he repeats. There’s something off about his voice. “I didn’t think you had it in you.”

“What else was I supposed to do?” It comes out muffled. You don’t want to lift your face, or break contact, so you shift your cheek instead and press your nose against his neck. You’re smearing blood on him. Emerel is probably the only person in the world who won’t mind, and at that thought, your breath hitches with something that’s close to amusement. “Let her shoot you?” you accuse him.

The pause lasts a moment too long. This time, when you laugh, you don’t choke on it. “Don’t be stupid,” you say, and if it’s brittle - if your voice is a little shaky - well. It’s softened by fondness. Emerel can’t help it. He is stupid, and you just culled a highblood for your stupid, stupid matesprit. “I’m not - if I thought -”

There’s mottled green blossoming along his jawline even as you watch.

“I wish I’d’ve shot her sooner,” is what comes out, vehement.

The arms around you tighten. Em makes a startled little noise, buries his face in your hair, and suddenly the blood on your hands barely matters at all.

xihe: three legged crow (Default)
 PHERES DYSSEU  | ~9 SWEEPS / 18 YEARS OLD

     

“Really? Really,” you repeat, dubious: “- you want that?”

Hinnom bounces back on zir heels and then forward again, eyes bright. “Yes,” they say.

No, that’s not accurate: they shout, and Marduk cringes, lifting her gaze to you in a silent appeal. “It’s not that expensive,” she says doubtfully. “Is it?”

“If they think we’re paying that price, they’re mad.” The toy has a core of woven reeds and mesh, fat and hard in turn. The arms are bones, made mobile through some clever stringing: the claws and the button-bright eyes are bits of horn, carefully smoothed and polished until the mottled ochre of the keratin fairly shines. The tag says that it’s a troll. It only resembles it in the faintest sense.

And it’s roughly twenty caegars too much.

“Then why’re we paying at all? We could just take it,” Hinnom says, curious, and for all that there’s a line forming between her eyebrows, just like that, Marduk is pullling out her credit-chip.

“Oh, don’t be silly. I’ll handle it. My treat!” The line lessens, just a little. But just for a moment, Marduk’s eyes flick down, taking in your outfit, the dark cherry of your symbol. “Are you sure?” she asks, her credit chip still lying between her fingers. “Twenty caegars isn’t.. too much?”

Your smile thins. You’re in Temasek, in the lowblood district: it doesn’t do to dress up over here. Your clothes are standard, cut for the heat. Your hair isn’t rolled. But just because you’re dressed down doesn’t mean there’s a need for that kind of unspoken discourtesy.

“I’m not paying twenty caegars,” you assure her, and you stalk into the store, leaving them to hustle after you.

(The story you spin is fake as the  name’s you give. You think Marduk’s going to laugh, or cry, or both as you work - but when you pay fifteen and show her the five that the shopkeep gave you back, surreptitiously, she’s certainly impressed.)


xihe: three legged crow (Default)
 PHERES DYSSEU | 16 years old / 7.44 sweeps

SIPARA NZINGA | 15 years old / 6.92 sweeps

Sipara’s sprawled out across the floor of your cart, her head nestled into the bony curve of your lap. She’s gone and ruined her headfluff again since the last time you’ve seen her, combed and pressed and perm until it flows thin and straight through your fingers, and you don’t have the slightest idea how you can fix this sort of damage.

If she’d stay with you long enough, then you could deep-condition it. Give it a protein treatment, see how it responds. Trim the ends, maybe –

But she won’t, anymore than you’ll stay with her. Being near Sipara means dealing with ID, and being near you means dealing with Malaya and the rest of the troupe. Better to just sneak moments like this when you can then to deal with the stress of clashing with each other’s quadrants.

(Friends. Whatever the troupe is to you.)

 

So for now, you’ll have to content yourself with merely combing her headfluff. Your fronds are working their way through, and it’s much more difficult than normal: it’s matted in the normal tangle that she lets it fall into, but there’s scratches in there, too, and blood, slick as oil under your fingertips.

When you inspect your clawtips, you discover it’s blue.

She’s half-dozing under your attentions, rumbling away like a purrbeast. You flick a horn to get her attention, your digestion sack coiling with distress. “Sisi,” you murmur, “what have you been up to?”

She opens one orange-streaked eye and shifts until she can peek at you through the frizz. “Dude.” Her face is drowsy with sleep, and her words are slurred with amusement. You pap her just on instinct, and she laughs, nuzzles her face into the palm of your hand. “You don’t even want to know.”

How Sipara spends her nights is a mystery to you: she does her fights, but you know there’s other things, too, things that require new hives each perigee and act as a constant depletion of your bank account. She dismisses it as part of her prosthetics business, and you’ve never pressed further.

With blue on your fingers and scratches on her face, you remember why.

(“You don’t want to know,” she says, but you know what she means: she doesn’t want to tell you.)

(That’s fine. There’s things you don’t tell her, either.)

She butts her head against you, already asleep again and still purring away steadily. Quietly, so you don’t wake her, you go back to her hair.

xihe: three legged crow (Default)
 
RMEROS CUCKOO | 9 sweeps / 18 years old - 1346 words
 

You know what you’re going to find as soon as you open up your cart door.

Your mother is absolutely covered in dust. No matter how much you brush her, how many hours you devote to cleaning her fur to a gloss, all it takes is one step outside to ruin it all. There’s orange sand dripping on her whiskers, hanging heavy on the thick lashes of her eyes, blanketing her snout and her spine. It’s speckling her hide like the spots on the litter she’d had once, making her look practically like a kitten again.

Her ears flick, pivoting towards you as the steps creak, and the motion sends sand spiraling out of them. From the prick of her whiskers, you can tell she’s pleased, for all that she’s absolutely filthy with the stuff.

And for all that there’s already orange sand on your shoes, and the lining of your sleeves. In a moment, you’ll be filthy with it, too.

Ancestors, you hate this fucking place.

“What have you got now, Mother?” She’s crouched over something small enough that you can’t see it past the coiled muscles of her haunches, no matter how you crane your neck. Normally, you’d leave her to it - your lusus hauls home dead things like you’re still a wriggler that needs to learn to hunt, and the only way to dissuade her is by ignoring it. She’ll put it out of its misery soon enough.

But whatever it is won’t stop whining, loud enough that you can hear it inside, and Pheres kept trying to sneak out to see.

Maybe a perigee ago, you would’ve let him. But it seems like every time he wanders out of your sight lately, the daft thing’s returning with new damage - a missing tooth, a scuffed knee, a limp that certainly hadn’t been there the day before. And the excuses he gives each time -

(”I jumped in the well,” he’d said, like that’d been a perfectly reasonable explanation for the ugly red scrapes and the mud all over his clothes, and then, when you’d pressed: “- Sipa said there wasn’t any water down there, so I had to.”)

- well. They’re not even worth remembering.

Frankly, you’re tired of it. You’ve spent perigees and perigees here, away from your matesprit, away from your city, to make Loxias’s plan work. It’s so close to finally being done. Pheres talks like you, walks like you - another perigee, and you can finally go home. You’ve been putting in the work. All he’s had to do is learn, and then do his part when the time comes.

Until then, all he has to do is stay alive, but he doesn’t seem apt to do that. If he’s not getting himself injured, he’s squirreling after some curiousity or another, and putting his fool head at risk in the process. Last perigee, you had to mend a crack in his horn, from where he’d hit something in the river - like you haven’t told him not to go near the river.

He’d been the one to hear the noises this time. You’d told him to dismiss it, but he’d gone sneaking for the door as soon as you’d started work. “.. I’m just getting water!” he’d said, wide-eyed and innocent, fronds wrapped tight around the handle and already turning when you’d caught him.

He’d lasted another ten minutes before you’d found him at one of the windows, angling his head out to see.

And since he wouldn’t just ignore it, never mind how many times you told him to just get back to his copy-work, it’s up to you to make it stop. “Don’t play with your food, Mother,” you say, peevish. It’s some sorry daywalker, from the looks of it: as you walk around to your lusus’s head, you can see tattered red cloth, sun-scarred skin, a mop of ratty, overgrown curls. This entire district is lousy with the things, like the residents are too lazy to find the nests and burn them out.

You know your mother eats them. This is the first time she’s brought one to your door, though. “I hope you’re not expecting me to take a bite,” you say, flat. She chuffs at you, her tail lashing. “Or Pheres. I told you, I’m perfectly capable of hunting for both of us –”

The whine abruptly stops. The walkers head tilts back, ignoring your mother’s growl, and you catch a glimpse of bright gray eyes. “Rmeros!”

Oh. It’s not a walker.

Not yet, anyway.

You’re close enough that your mother can rest her big head against your knee, and she does, purring loudly. She’s got her paws on the shoulders of Daedal’s get, and you can see the muddy brown streaks where her claws have been digging in. The girls face is cloud pale, gray as the sidewalks back home, and the sun’s coming up. If you just went back inside for a few hours…

Maybe she sees an inkling of that in your face. She starts kicking and thrashing anew, and your mother’s raspy purr abruptly turns to a growl. “Get her off of me! Rmeros! Come on!”

It’s frankly amazing, how much noise a rotten little thing like her can make. She’s barely up to your chest on your best days, but she’s rattling away like a bee in a jar, the furious thrum of her rattlereeds loud enough that they nearly match your mothers.

She’s a match in plenty of ways. She looks like an animal right now, those absurd ears pinned back, her lips curled to expose fang.

“You stupid, curly-horned bastard, get her off of me!” 

“Charming,” you say, amused, and her face goes orange. “Simply charming. And what were you doing over here?”

It’s a rhetorical question. One step closer puts you near her hands, and to the rock lying on the ground. Not a rock, you correct yourself: a brick, one of the ones always falling out of the side of the cluster. There’s mortar still clinging to the sides, but it’s long faded gray with dirt, sand and the filth of the desert.

(Of all the places you could’ve found a signmate, you just had to find him here, roosting among Temasek’s squalor. There’s traces of gray on your fingers where you touched the mortar. You’re sure there’ll be traces of orange left in your soul, by the time you’re done here.)

She doesn’t answer. She just glares at you, her mouth thin as you toss the brick in the air. It’s not big in your hands. Not heavy, either: in fact, it’s a nice weight. “And what did you have this for, I wonder?”

“Do you want to say something?” you add, and then you laugh: she might be ignoring you, but her eyes are tracking the brick, her face tight with fury.

You let the brick drop. It hits the ground inches from her face, and that stirs a reaction from her: all that happens is that she gets sand in her eyes, sand in her face, but she goes off like you struck her instead, a flurry of insults and threats in the garbled tongue everyone uses out here.

You don’t understand a word of it. But you don’t have to, with the way she’s snarling. If anyone was around, then her noise should’ve brought them out.. but there isn’t. The sun’s nearly up, and everyone sensible is asleep, save you, your signmate, and the little riffraff in front of you.

In the cities, no one would care if you offed a wriggler. There’s enough of them! But the country is different, small enough that everyone knows each other’s faces, and names, and has an investment in their survival. Luckily, you don’t care about culling Nzinga, no matter how much of an impediment she’s proven.

She’ll be out of your hair soon enough. And you can feel the first heat of the sunrise on your back.

“Have fun with your catch,” you inform your mother, and you head back inside.


xihe: three legged crow (Default)

 PHERES DYSSEU: 16 YEARS OLD / 7.38 SWEEPS | 2092 words
 

It’s Saturday morning, and Malaya was supposed to be accompanying you and Chapar to one of his parties. The rest of the troupe had deigned not to join: Khaneh said it sounded lame, and Trieua had work, both of which you’d been grateful for.

You’d never admit it, but Chapar’s maybe your favorite person in the whole troupe. And of course, you never turned down an opportunity to have Malaya to yourself! (Or, well - mostly to yourself.)

But at the last moment, after the two of you had been dawdling in your cart for nearly an hour, Malaya’d arrived, his hair wind-tousled and already apologising before he’d even made it through the doorway. “Sorry! Mysore called,” he’d said, pressing the invitations into Chapar’s loose grip. “But you two have fun, yeah?”

And then he’d bolted back to whatever emergency his moirail had embroiled themselves in this time.

 

If you’d had it your way, that would’ve been the end of it: you’ve been to highblood parties before, and they’re not much fun, if you don’t know the people there already. (For one, no one wants to talk to the maroonblood, not unless they’re trying to order drinks.) But Chapar had insisted on going. “When’s the next time we’re going to get to go to a bash like this?” he’d asked you, pleading. “Come on, Pheres, I already picked out an outfit and everything!”

So you’d agreed.

And now that you’re here… well, it’s not exactly as bad as you thought it’d be.

Both you and Chapar are wearing white and one of Malaya’s scarves, the fancy ones embroidered with his symbol. He’d insisted on it, back when the three of you were supposed to be going together: for safety’s sake, he’d said! None of you are quadrants, but you’re a sort of clade all the same, and that makes showing off his colour like this alright.

And, surprisingly, it’s effective even without him here. No one’s mistaken you for one of the serving staff the entire time you’ve been here, and no one’s even really noticed your symbol: their eyes hit the white and then the scarf, and then they slide right off like oil on the water, like the fact you’ve got a rich highblood quadrant - friend - roaming the halls somewhere is all that matters.

If you’re honest, the party so far has actually been pretty amazing. People have been talking to the both of you, and not because they want you to take drink orders: they’re chatting and joking and flirting, which you’re used to, but Chapar’s face keeps lighting up whenever anyone so much as looks his way. It’s adorable.

Adorable, but a little exhausting, so you and Chapar have holed yourself up at one of the tables near the mostly abandoned buffet, making a game of stacking your plates full of the fanciest tidbits you could find. Chapar’s been winning, by virtue of the fact he’s more willing to rummage through the platters to find the sort of things they hide in the back. “Look at this, Pheres,” he crows, lifting the lid off of a plate bristling with roll-up bugs: “They’ve got stuffed idotea!”

“.. stuffed with what?” They didn’t bother removing the legs, or the antannae, and it looks like they’re ready to unfurl right off the plate. You blanche, wrinkling up your nose, but Chapar dumps a handful onto his plate like he’s not even bothered. “I dunno,” he says, cheerful. “But I’ll find out!”

You don’t even like food much, but every time you finish something, Chapar’s right there, dumping some appalling new find on your plate to try. (Not just stuffed idotea: they’ve got candied seastars. Gross.) And between bites, the two of you gossip about the people around you. Guessing who’s who’s quadrant turns into a discussion of outfits turns into –

“Look at her,” Chapar breathes beside you.

– bluebloods are so pretty.

And Chapar’s got an excellent eye for spotting the most striking ones. The girl he’s nodding towards is tall, with the sort of smooth, glowing skin and softness that only highbloods ever seem to quite get, and small, elegantly curving horns, so unlike the massive clodhoppers stuck on you and Chapar’s heads.

For one, she’s got jewelry on them, little gold chains that are just as delicate as the horns holding them up.

But there’s something off about the way she’s walking: jerkily, a little unsteadily, like she’s got on shoes that’re a size too small. (She doesn’t: she’s barely even wearing shoes, just blue slippers, and they’re perfectly fitted. So maybe it’s the way her skin is moving? It’s dimpling in a way you didn’t know skin could move, bunching up like rubber every time she moves.

It takes you a moment to realise it’s the fins.

You’ve never actually seen a seadweller before in real life! They stay in the docks district, for the most part, or with the Imperial Education Program, and you’re not allowed near either of those things - that’s the one thing that everyone you know agrees on, from Sipara to Malaya, like they think something terrible will happen if you even see one.

Nothing terrible’s happening, though, except for the way your mouth’s gone all dry and papery. There’s just enough off that it feels a little like you’re looking at a mutant - the sort of prickly unease you get whenever someone’s got too many pupils, or too few horns.

You’re just being silly, though, because when you glance at Chapar, he’s all big eyes and sunstruck looks. “Man, she is so hot,” he murmurs, and you bob your head before you can think twice, because that’s just the truth, no matter how you feel: she *is* pretty. She looks like everything a highblood should, even down to her clothes, and, yes, the fins. “.. but she’s too high caste for me,” he sighs.

“She isn’t!” The denial’s reflexive. You like Chapar so much: he’s the only other lowblood in the group, and he’s only half a sweep older than you, which means the two of you might as well be clutchmates compared to everyone else. More than that, he isn’t like Khaneh, or even sometimes Malaya. He’s always seeking you out, asking about your books, talking to you even when he isn’t bored or looking for attention.

He’s nice! And the idea that anyone’s too high for him feels like a personal affront. “You’re olive,” you huff, looking away. He’s staring at you like you’re speaking Common. “That’s only…”

You count off on your fingers, each movement slower than the next. “.. um. Six steps.”

“Seven. You’ve got to count olive, too.” He sounds glum.

“Ah, it doesn’t matter how much of a caste gap it is!” He sounds soglum. You puff out your cheeks and gesture with your free hand, a big, decisive swoop that nearly knocks the plate out of his hand. “Don’t you watch vids? Everyone likes analogous pairings, and you’re practically blue. You could talk to her! I’m sure she won’t mind.”

“I could talk to her first, if you’d like,” you add. “Just to show you how!”

He blinks at you, like he didn’t quite hear what you said. “What? Pheres –”

“Just stay right here,” you tell him, shoving your plate into his hands, and you trot over to her, ignoring the way Chapar’s spluttering behind you.

The crowd’s easy to navigate. Everyone here is so tall! (Everyone’s always so tall compared to you, but that’s alright: you’re sure you’ll grow soon enough.) All you have to do is bob and weave to duck the occasional wayward elbow and slip between the dancers, and then you’re next to the seadweller girl.

“Hello!” you chirp, angling your head up so that you can see her face. You’re going to get a crick in your neck if you try to keep this up, but you don’t care. You’re going to prove Chapar wrong.

She blinks down at you. The movement’s all wrong: too slow and too twitchy all at once, with a soft, wet noise you can hear from all the way back here. This close, you can see what you thought were fins are just a strange sort of ear, instead, and her eyes are purple as the church tents you see sometimes. She must be a cusp. You’ve never seen one of those before! “Hello,” she says, baffled, and you clear your throat, making your eyes big and apologetic.

“Ah, I’m so sorry to bother you, miss –”

“Oh, no, it’s alright,” she murmurs, still confused. This is why you love dealing with highbloods: they’re so reflexively polite, and it’s easy to use that to your advantage. You dimple at her, tilting your head so that your hair cascades to the side, and her smile becomes a little more genuine.

“- but I just saw your dress from afar, and I thought.. well, it’s just amazing! And that’s such a lovely colour.” It’s made of leather, and it has to be the most ghastly shade of black you’ve ever seen, somehow yellow and brown all at once, but her face lights up all the same.

She’s only said a few words, but they were thick, heavy in a way that you don’t really recognise. But you used to talk strangely, too, before you learned how to speak Standard properly, and it gives you an idea. “Did you buy it in Temasek?” you ask, widening your eyes.

“Temasek..? Oh! The city! No, no, I bought it from Blackstone.” She gives a self-conscious little laugh. “I’m not from around here,” she explains. “Farther up north. Much farther.”

“But, ah, I like your scarf,” she adds, reaching out and taking a hold of the end. You hold still patiently as she rubs it between her fingers, testing out the fabric even as her eyes flit down to your symbol. You’re used to this sort of thing: everyone’s always touching you, like being maroon means they don’t have to ask, but you suppose that’s alright. It’s not like you mind! “You’ve got a Juno as your matesprit, hm?”

“Oh, no, not my matesprit! Just my friend. Ah..” The conversation isn’t going where you planned: she’s talking to you right now, but there’s no way you can bring in Chapar, and that was the entire point of this.

But that’s alright. If the conversation isn’t working, you’ll just have to make it work! Luckily, she seems like the nicer sort, and you’ve always got a plan for those. You sigh, letting your shoulders fall just enough that she notices, and when she makes a little questioning noise, you put on a brave face: tilt your chin back up, furrow your brows just enough to look worried, and then you smile weakly, biting your lip just the slightest amount.

Most people like it when you look pathetic, and judging by the ways her eyes soften, she’s not any different.

“He was supposed to be here,  but I think..  well.  He just forgets sometimes.”

“Oh,  that’s dreadful,” she breathes, pressing the back of her palm to her mouth.

“Oh, no, no!” You shake your head, hard enough that your hair goes flying, and you make your voice high and earnest: “I wouldn’t want you to get the wrong idea! He’s just - you know -” You wring your hands, glancing up towards her long enough to make eye contact, and then letting your gaze drop back down to the floor. You can’t push it too heavily! People get mad when they think you’re trying to manipulate them. But a soft enough touch - “I suppose he just forgot Chapar and I don’t know anyone here,” you murmur, peering up at her through your eyelashes.

“You don’t know anyone? And he left you here by yourself?” She looks appalled. You hope she isn’t a gossip, or else Malaya’s going to find this all dreadfully unfunny. “You know..” She bites her lip, and then frowns, decisive. “You can sit with me at my table, yes. Plenty of people! Friendly people,” she says, emphasizing the word. “Not everyone here is friendly to little lowbloods, yeah? We will make sure you have good time. You and your other friend.”

“Oh,” you say,  clapping a hand to your mouth and letting your eyes widen. (The better to hide the way you want to laugh. Of course it worked, but – you can’t believe this worked.) “You don’t have to! Ahh, I don’t - if we’d be a bother –”

“I insist! Where are they?”

All the way back against the wall, Chapar’s looking at you like you’ve grown a second head, a toothpick full of vegetables dangling from his hand. You beam at him, give a little wave. “Chapar,” you call,  and the girl behind you turns to gesture with you. “Come here! She wants us to sit with her!”

xihe: three legged crow (Default)
 “I find her admirable,” Quanin says.

The season’s have shifted since you came to visit, and already the air is heavy with cold and the promise of snow. The cloaks you brought were for the fall, cotton and just weighty enough to keep the chill off: they’re not made for the way the wind is biting now, chafing at every inch of exposed skin. The walk back to her hive is a long one, and you’re finding yourself ill-prepared for it.

But you can’t regret it. Quanin holds herself like a sapling, tall and brittle, and every slight - every mis-step - is like a gust of wind. She can’t bend. She only breaks. But perhaps it’s the presence of her garden around her, or perhaps it’s the conversation, but each step seems to come easier than the next.

You’re not sure that Quanin can truly relax. But if this is the closest she gets, then you’ll be content. Under the waning moonlight, there’s something kin to peace on her face, and there’s a levity to her that you haven’t seen before. She’s speaking softly, but without hesitation.

She seems happy.

And in the space between words, she just took a hold of your hand.

It’s a little thing. A thumb curved over your knuckles, fingers twining around your palm. It’s not worth the way you stumble over your words. It’s not worth acknowledging.

But Quanin doesn’t touch you.

She hasn’t stopped talking, but you can feel the tension in her fingers, creeping up her arm like a vine, like she’s only just realised what she’s done. You would never presume to know her. But oh, it’s impossible not to, when you’ve been near so long: each break in her composure is an epiphany, a letter, for anyone willing to read it. (And isn’t it a shame that no one’s ever tried?)

If you wait, she’ll pull away. Avert her eyes. Smooth the incident over, as calmly as she does anything else. It’s such a little thing: there’s no need to acknowledge it at all, and just like that, that ghost of peace you saw will be gone.

You fold your hand over hers instead, and almost imperceptibly, she relaxes.

(Later, you won’t remember the conversation, no matter how hard you try. But you do recall the fact she doesn’t let go of your hand for the entire walk.)

xihe: three legged crow (Default)
     PHERES DYSSEU | 7 SWEEPS / 15 YEARS OLD

CW:
 AGE GAPS, EXPLOITATION OF A TEENAGER

 
   

Your name is Pheres Dysseu, you are seven sweeps old, and right now, you can’t swallow, because there’s a sword pressing into your neck.

To be fair: it’s a wooden sword! But just because it can’t kill you doesn’t mean that it can’t hurt.

Hasn’t Triệua has spent the last hour proving exactly that?

The night started off well enough. You’d spent all of yesterday with the re-enactment troupe, helping them repair their clothes for tonight’s big event in between running off through the city on coffee runs with Chapar. (”The price of being the youngest, yeah?” he complained to you, and then he’d filched money off the top to buy you both lemons.) The lot of you’d all fallen asleep in Malaya’s recreation-block - no, no, living room, and by the time the moons had come up fully, you’d been out on the road.

But when you’d actually made it to the field, you’d discovered the coordinator had had some crisis with her moirail, and the event had been cancelled.

The smart thing to do would’ve been just to go back to Malaya’s hive. But it’d been a three hour drive, most of which he’d spent behind the wheel, and he’d had different ideas. “We have the equipment,” he told the milling mass of your cohort, his eyes shining bright in the moonlight: “- and we have enough people! Why not just hold our own event, lah? Much better than theirs, anyway.”

And then he’d paired all of you up, given you the wooden practice swords and set you to work. He’d pulled you to work with him at first, of course, and that’d been fun: he’d spent most of that time correcting your pose, your grip on the sword, your posture, your stance, and you didn’t actually have to practice anything at all.

But then Khaneh had called him away, and Triệua had taken over as your partner instead.

There’s sweat pooling through the cloth of your shirt, and your hair is plastered wetly to your forehead, the back of your neck, the exposed skin of your shoulders. Every breath feels like you’re pulling air up from a well deep below, one with a ragged rope and a handle that doesn’t want to turn. You’re ready to quit. You’ve been ready since she landed that first blow to your side, but she won’t let you.

And worse yet, though her face is faintly teal, she’s not even really winded.

You could just teleport away. If it was just Triệua, then you would! (If it was just Triệua, you would’ve never agreed to this dumb training session in the first place.) But the rest of your cohort’s stopped practicing to watch, and everyone hates when you use your psionics. It hurts their eyes, they say, like they don’t get warning in the spark of your horns to close them beforehand.

At least right now, you’re not having to move. Triệua’s got you pressed up against a wall, her sword to your throat, and it’s a relief just to stand here and try to breathe - there’s no need for her to be this close, is there?

She’s got her free hand braced on your shoulder, the curve of her palm cool against the arc of your throat, and she’s leaned in close enough that you can smell her breath. (She ate fish for breakfast. It’s horrid.) She’s not saying anything, just glaring, and…

She’s won. She could step away. And even if she wants to make a point - what point? - then she’s got long arms: she doesn’t need to be looming like this to keep you penned. She’s close enough that you can feel the chill radiating off of her skin, warmer but less pleasant than Malaya’s, and that is entirely too close.

“Are you done yet?” you ask her, deliberately bright.

“When you yield,” she snaps, and your eyebrows go up. You’ve been shouting yield since the first time she hit you, and she didn’t care now: she just kept it up, forcing you to block, keeping you moving.

… herding you back into this corner.

When you peer over her shoulder, your cohort is still watching. Chapar is frowning, worrying his lip - Khaneh is leaning forward, her eyes narrowed like she’s trying to see - but it’s Malaya who you’re searching for. He doesn’t look concerned at all.

Just.. amused.

(She’s not winded, but her face is a blotchy teal.)

(Oh.)

You could still jump, the complaints of your cohort be damned. But a much more interesting idea’s just struck you. Leaning up just presses the wood in harder against your throat, but that’s alright: you can deal. Triệua isn’t that much taller than you! And you only need to lift yourself a few inches until you’re close enough to kiss her.

It’s nothing personal. You’ve kissed nearly all of the people in your little self-made cohort: none of you are properly clade, but it’s just a thing that’s happened. You spend most of your time with Malaya, but everyone here is handsome and older and blue, and they like you. They think you’re funny, and smart, and they laugh at your jokes, and most of them think you’re cute. 

(”Adorable,” Khaneh told you once, and you’d bit her for the indignity.)

If indulging that makes them like you better, then why shouldn’t you?

Triệua’s always been the exception, though. She’s never said it to you, but Chapar’s told you all about the sort of things she says when you’re not here. (Not even because you’re too young, which would be nonsense, but the sort you could almost understand - but because you’re too red, which doesn’t even make sense. Only animals are red! You’re burgundy.) You’d always figured it was a platonic sort of distaste, though. Triệua’s so much older, old enough that she’s got an official adult title and a job off in the city proper, and you’re… not.

So kissing her is just a way of making her back off. She’ll recoil and move the sword, and you’ll abscond before she can hit you. It’s the perfect plan!

Or it would be, but Triệua doesn’t pull away immediately: there’s a beat where her eyes go wide, and then she’s actually leaning into you,  her grip tightening on your shoulder, biting at your mouth until you’re tasting iron. She’s got teeth almost as sharp as Sipara’s. Each nip stings, and not in a pleasant way.

She’s heavier than you thought.

She’s not moving the sword.

You make a surprised noise, trying to twist away as the wood pushes in hard against your throat, and.. oh, thank heavens, she’s pulling away now, looking appalled.

At you? At herself? You don’t care. Your throat aches from where the wood dug in, your lip is bleeding, and there’s a wall to your back, but that won’t stop you from scampering away as fast you can. She doesn’t even react as you slide past her, just jerks back to get out of your way, and it’s a relief.

Malaya and the rest of your cohort are lounging there, and Malaya’s laughing. “Good work on the escape, la,” he calls out, his hands cupped around his mouth. You can’t see his grin, but you can see the skin wrinkled under his eyes, hear the amusement in his voice: “Unusual technique, but points for the execution!”

Behind you, Triệua is not laughing. Whatever dilemma she’d been having is over: there’s a snatch of air above your head, and you duck your horns low, pivot around to face her. It’s a mistake! She’s looming over you like a bad daydream, her blue eyes water-bright in the shadow of her face. She’s teal, barely blue at all, hardly worth paying attention to - hardly worth being afraid of, but when she’s baring her fangs like this…

“I have a fucking kismesis,” she snaps, like you all haven’t heard her whining about how Perlis does too, like there isn’t burgundy blood on her teeth. All you did was kiss her! She was the one that went and escalated it.

She was the one who penned you in in the first place.

You need to abscond. You need to apologise, because you thought you were just playing around, but she’s clearly taking it more personally than you thought. You should do a lot of things, but there’s burgundy blood on her teeth, your lip hurts, and she’s not supposed to try and intimidate you!

(She’s not supposed to hit you. You didn’t think that was how black-flirting went.)

“.. ah, but obviously he’s not as pretty as me,” is what comes out instead, sharp and brittle, and you regret it immediately. Triệua‘s eyes go wide enough you can see the red at the rims. Absconding is not an option, not when she’s this close, so —

When you jump, landing neatly in the stands behind Malaya, everyone’s too busy trying to calm her down to even yell at you.

 
xihe: three legged crow (Default)
 
PHERES DYSSEU | EIGHT SWEEPS | 18 YEARS OLD


 
 

RS: | So |
RS: | I Was Thinking | Since I’m Here |
RS: | Would You Like to Go Shopping | ? |

You have never met a child as excitable as Hinnom.

To be fair, you go out of your way to avoid wrigglers, given they don’t have much money and they’re not very interesting. But still, you’re fairly certain you weren’t this energetic at his age.

Nor this physical.

“Hold still!” you demand, laughing as Hinnom pivots around you. It’d been a lark to shoot them a message when you stopped in Temasek: you hadn’t really expected them to reply! You certainly hadn’t expected them to be so enthusiastic that they agreed - insisted, really! - on coming up immediately.

But here they are, spinning around you like a top and dragging you along for the ride. They’ve got a tight grip on your hand, pupa nails digging sharp into the fat of your palm, and they’re stronger than their size would have you assume. You don’t mind, even though they’re hauling you through the market place like a bag of produce.

Even though everyone’s staring.

Well. Let them! It’s Temasek, and you’re in the lowblood quarter. Not the sort of place you like to go usually, but it’s the only place you felt safe bringing your little feral friend – and to be honest, it’s probably the safest part of the city. No one here is going to try to hassle two maroons, not when there’s plenty of easier, richer targets all around.

“No!” Hinnom’s laughing too, nasal and obnoxious and thoroughly infectious. “C'mon, c'mon, I wanna show you some really ghoul shit –”

“I thought we were going shopping, Hinnom!”

“Shopping’s boring as fuck,” they yowl, letting go of your hand so that they can bound forward. One step, two, each impossibly long even for those gangly legs - and when they pivot back to face you, sure enough, there’s maroon crackling on their horns. What a little cheater. “Hey, hey, hey! BOO!” They’re bouncing in place from one foot to another, their raggedy poncho catching the air around them: “I’ll race you to the fountain!”

“It’s not - I’m not -” They make a face at you, wrinkling their nose hard enough that the paint scattered on it cracks. “Unless you’re sca~ared,” they jeer. “Huh? I bet you are! I bet you’re super scared of losing, like, you’re super crypt out by losing, like –”

The fountain isn’t that far, and it’s not cheating to use your psionics, not when they started it. And the way Hinnom cackles with delight when they spin around and see you already sprinting towards it is well worth the bloody snout.


xihe: three legged crow (Default)
 1. Yellow - 9 sweeps | FLUSHED
The first thing you notice is that Riccin is much taller then you thought when you were drunk.

They’re leaning against the doorway of their hiveblock, arms folded and eyebrows raised. Without their facepaint, and dressed in pajamas, they should be less intimidating, not more.

But those pajamas look like they cost more than your entire annual stipend, despite the yellow embroidered neatly into the collar, and they’re not smiling: just watching you with their strange teal eyes, and waiting for you to speak.

“Hello! I don’t know if you remember me, but -”

“Guess the drones didn’t cull you,” they say, dry, and you laugh sheepishly.

“They didn’t! Lucky me. Ahh.. well.” You clear your throat and put on your most winning smile. “I’m afraid I didn’t paint the best picture of myself when we met. Being, ah, drunk and all. So I thought it might be nice to start over! Introduce ourselves properly.”

“My name’s Pheres Dysseu,” you say, “and it’s a pleasure to meet you.”

You hold out your left hand, the flushed skin of your wrist exposed and the palm empty for them to grab. Handshakes are a greenblood thing, but the gesture is one that is recognised by all castes.

You’d thought. The disbelieving stare suggests you were wrong.

“Alright,” they say, standing up. The smile Riccin gives is languid as their movements as they step forward. “Shit sounds fair. But cut the bileblood shit. You want to do a new meet and greet, brother, we’re doing this the church way.”

If all clown greetings involve tongue, you decide later, maybe you will start going to Carnival.
 

2. Indigo - 8 sweeps | PITCH

That is one thing you’ll give bluebloods: they’re very pretty.

Oh, not all of them: you’ve had customers missing eyes or teeth, with crooked horns or features that, put together, just really weren’t very flattering. And you’ve met a great deal of lowbloods who you would say go beyond being merely pretty. (Yourself included.)

But for the most part, your customers all have sharp teeth, clear eyes, and horns that they keep sanded and oiled. A higher allowance means more money towards food, and medicine, and self-care, and there’s certainly something to be said for the effect a healthy flush can have on one’s appearance.

Just because you think they’re pretty, though, doesn’t mean you’re interested. You don’t mind appreciating an attractive troll, and you’re friendly to everyone - but unfortunately, sometimes that means your customers get confused.

“I’m sorry, but - I do have to go," you say, laughing, but it’s not from amusement. Vignei’s been crowding you since you first came into her hive, and now that the caegars are in your account, you’d really like to leave. She’s always been one of your friendlier customers, but lately she’s been getting uncomfortably so.

Case in point: she’s draped an arm across your shoulder, and she’s tracing a finger along the spiral of your caudal horn, just hard enough that you can feel the scrape of her claw. Vignei has to notice you’re stiff as a wire beside her: it’s starting to strike you that she just doesn’t care.

(You shouldn’t have come inside. Some of your customers seem fine, but they’re bluebloods, and as far as they’re concerned, you might as well just be an especially clever animal.)

(There’s a reason they call your lot redbloods, and it has nothing to do with hue.)

"Whatever it is, it can’t be that important," she purrs. "Just give me a moment; I have a very convincing argument on why you should stay–”

Her lips are as cold as saltwater against yours when she kisses you, and that’s what finally spurs you into movement. Sometimes jumping is a chore: at others, like this, it’s instinctive. One moment her arm is around you, and the next you’re across the room, your horns ringing as you try to reorient.

Vignei blinks: for a moment, she just looks confused, eyebrows knit with growing displeasure as she scans the room. When she finally spots you, inching your way towards the open doorway, the look she shoots your way has entirely too many teeth to be flushed, and you flee.

3. BROWN - 7 sweeps | FLUSHED

It’s amazing how much will fit into a bag. You never thought much of the easy way Elilah’s things had spread through your hive over the past few perigees, but watching him pack, it’s striking you exactly how much of what you thought was yours is actually just his.

You stay tucked in the corner, watching him work. He made it clear he didn’t want your help, when he first said he couldn’t deal with someone who was just going to end up as a ship engine, and you should probably just have left then, let him pack in peace.

But if you’re never going to see him again, you want to lock him into memory now: the way he stands and moves, the clothes he wears. He’s been growing faster than you lately, all lanky legs and long limbs that you thought you’d get to see evened out, and you want to remember that, too.

“Well,” Elilah finally says. “That’s all.”

He looks at you for the first time in what feels like ages, and maybe he still does pity you, at least a little, because he comes up and presses a kiss to your cheek. If it’s any colour, then it’s white as snow, but you lean into it, because that’s all he’s going to give. “Later, Dysseu,” he says, picking up his bag. “Have a good life.”

 

4. Brown - 5 sweeps | PALE

Your snout is leaking like a faucet, and your ganderbulbs are rheumy and red where the vessels are oozing. There’s blood all over your face, and no matter how much you blot at it, the streaky rivulets won’t stop. And your pan aches.

There’s blood on your hands too, the same streaky rosewood as the stuff on your face, but this isn’t your blood: it’s Rmeros’s, and the thought makes you start crying again, wet, loud sobs that leave you aching from your horns to your toes.

Sipara was trying to figure out the cart controls, but she drops the ignition sticks and bolts over at the sound that rips from your chest. The noises you’re making are horrible, but your ganderbulbs and your snout and your pan all hurt, and you can’t seem to make yourself stop.

“I killed my moirail,” you wail, stumbling over the words. Each breath feels like it’s being ripped from your lungs, and no matter how hard you gasp for air, it’s not enough. “I killed him and he’s dead and it’s all my fault-”

“Shh,” she says, frantic, “sh sh shoosh!” She grabs your face with her hands, nearly jabbing you in the eye with a claw, and then she stops, like she doesn’t know what to do. There’s snot on your face now in addition to the blood and tears, and you are just a complete and utter mess, but she doesn’t seem to notice. Sipara stares at you, her eyes wide with fear and worry and determined concentration, like you’re one of her broken tools and she’s figuring out how to fix you -

And then she plants a kiss on your forehead and the shock of it makes you stop mid-sob. Sipara is all fangs and elbows and claws that scrape even when she’s playing nice, but right now, she’s holding your face like she holds her lusus, like you’re something she has to be careful not to break. “We didn’t kill your moirail,” she says, as matter as fact as if she’s telling you the moon was green, “because I’m your moirail, okay? So shoosh.”

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